What’s the greenest way to dispose of human remains?
As parents grow old, the children who care for them don’t always grow up
Memoir | by Georgie Binks
Is the recession really over? A profile of Bank of Canada governor Mark Carney
Director Robert Carsen brings a Canadian temperament to the world’s great opera houses
Theatre | by Misha Aster
Does Phil Fontaine have what it takes to lead the First Nations’ next generation?
Profile | by Patrick White
How African Pentacostalism is commercializing global Christianity
Religion | by Christopher Frey
A profile of screenwriter Budd Schulberg (1914-2009), from the June 2004 issue of
The Walrus Film | by Gare Joyce
Three new horror stories by Rivka Galchen, Lee Henderson, and Stephen Marche
Fiction | by The Walrus
Letters in response to the June 2009 issue of
The Walrus.
Letters | by The Walrus Readers
As Europe swings to the right, BBC journalist Nick Fraser asks: is the EU worth saving?
Vancouver artist Stan Douglas reimagines a neighbourhood’s troubled past
Profile | by Leigh Kamping-Carder
A week or so later, I had a repeat of the phantom string cheese episode
“We’re in a period of what Northrop Frye would have called the winter phase of irony and satire.”
Theo Sophistron was in the sky. He didn’t like it.
Romance | by Lee Henderson
The life and times of Richard John Neuhaus
Religion | by Randy Boyagoda
“There shall be no drinking and no cussing at the funeral of any man,” he whined
Western | by Joseph Boyden
Karlheinz Schreiber lubricates Canada
Comics | by Jason Sherman and David Parkins
A new poem by Michael Lista
Poetry | by Michael Lista
How academics found the first photograph to be taken in Canada
Hugh MacLennan’s bestseller
The Watch That Ends the Night turns fifty
Books | by Nick Mount
According to the Guild of St. Luke: an illustration series
The surgery to give Mr Dapple the wings of a crow was scheduled to take twelve minutes
